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    <title>Qualla: Vrouwenhuis</title>
    <link>https://qualla.com/vrouwenhuis</link>
    <description><![CDATA[A 17th-century Zwolle house turned women's almshouse, where a will preserved an entire 1700s art collection intact as a time capsule.]]></description>
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    <copyright>© 2026 Bendyline</copyright>
    <lastBuildDate>Mon, 20 Jul 2026 10:21:34 GMT</lastBuildDate>
    <itunes:author>Qualla</itunes:author>
    <itunes:summary><![CDATA[A 17th-century Zwolle house turned women's almshouse, where a will preserved an entire 1700s art collection intact as a time capsule.]]></itunes:summary>
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      <title>Qualla: Vrouwenhuis</title>
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      <title>Vrouwenhuis: Introduction</title>
      <link>https://qualla.com/vrouwenhuis/</link>
      <description><![CDATA[Photo credit Jan Dijkstra, CC BY 3.0. Aleida Greve wrote her will with a single, unusual demand: her sitting room must remain untouched. The paintings on the walls, the furniture arranged just so, the curiosities on the shelves, all of it had to stay in place after her death. Three hundred years later, it has. The room at Melkmarkt 53 in Zwolle still holds the art collection of an early 18th-century Dutch lady, more or less as she left it. It is one of the very few intact examples in Europe of a private female-curated gallery from the period, and it survives because a single woman insisted, in a legal document, that the future leave her sitting room alone.]]></description>
      <content:encoded><![CDATA[<p>Photo credit Jan Dijkstra, CC BY 3.0. Aleida Greve wrote her will with a single, unusual demand: her sitting room must remain untouched. The paintings on the walls, the furniture arranged just so, the curiosities on the shelves, all of it had to stay in place after her death. Three hundred years later, it has. The room at Melkmarkt 53 in Zwolle still holds the art collection of an early 18th-century Dutch lady, more or less as she left it. It is one of the very few intact examples in Europe of a private female-curated gallery from the period, and it survives because a single woman insisted, in a legal document, that the future leave her sitting room alone.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/vrouwenhuis/">Vrouwenhuis on Qualla</a></p><p><em>Image: Jan Dijkstra | CC BY 3.0</em></p>]]></content:encoded>
      <pubDate>Sat, 16 May 2026 00:00:00 GMT</pubDate>
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      <title>Vrouwenhuis: House by the Vanished Harbour</title>
      <link>https://qualla.com/vrouwenhuis/</link>
      <description><![CDATA[Photo credit Jim Judges at English Wikipedia, CC BY-SA 2.5. When the house was first built, it stood at the waterfront. The Grote Aa, a tributary of the Zwarte Water, ran through Zwolle then, and ships moored just outside this address to be weighed and to portage between river systems. The old weigh house stood nearby. In the early 17th c...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Jim Judges at English Wikipedia, CC BY-SA 2.5. When the house was first built, it stood at the waterfront. The Grote Aa, a tributary of the Zwarte Water, ran through Zwolle then, and ships moored just outside this address to be weighed and to portage between river systems. The old weigh house stood nearby. In the early 17th c...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/vrouwenhuis/">Vrouwenhuis on Qualla</a></p><p><em>Image: Jim Judges at English Wikipedia | CC BY-SA 2.5</em></p>]]></content:encoded>
      <pubDate>Sat, 16 May 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>2</itunes:episode>
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      <title>Vrouwenhuis: A Painting School for Women</title>
      <link>https://qualla.com/vrouwenhuis/</link>
      <description><![CDATA[Photo credit A. J. van der Wal, CC BY-SA 4.0. Aleijda Wolfsen kept painting after her marriage, working from a studio added to the house during her lifetime. Her sitting room, the Grote Sael, was fitted with a carved mantelpiece, and the hallways got marble floors and carved woodwork. Then in 1686, something rarer happened. ...]]></description>
      <content:encoded><![CDATA[<p>Photo credit A. J. van der Wal, CC BY-SA 4.0. Aleijda Wolfsen kept painting after her marriage, working from a studio added to the house during her lifetime. Her sitting room, the Grote Sael, was fitted with a carved mantelpiece, and the hallways got marble floors and carved woodwork. Then in 1686, something rarer happened. ...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/vrouwenhuis/">Vrouwenhuis on Qualla</a></p><p><em>Image: A. J. van der Wal | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Sat, 16 May 2026 00:00:00 GMT</pubDate>
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      <title>Vrouwenhuis: Aleida Greve&apos;s Bequest</title>
      <link>https://qualla.com/vrouwenhuis/</link>
      <description><![CDATA[Photo credit A. J. van der Wal, CC BY-SA 4.0. Aleijda Wolfsen died in 1692 giving birth to her fifteenth child. The historical sources note her age and circumstance briefly, but the line carries the weight of how often early modern women's lives ended this way. In 1706 her former pupil Aleida Greve and Greve's younger sister...]]></description>
      <content:encoded><![CDATA[<p>Photo credit A. J. van der Wal, CC BY-SA 4.0. Aleijda Wolfsen died in 1692 giving birth to her fifteenth child. The historical sources note her age and circumstance briefly, but the line carries the weight of how often early modern women's lives ended this way. In 1706 her former pupil Aleida Greve and Greve's younger sister...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/vrouwenhuis/">Vrouwenhuis on Qualla</a></p><p><em>Image: A. J. van der Wal | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Sat, 16 May 2026 00:00:00 GMT</pubDate>
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      <title>Vrouwenhuis: What the Time Capsule Holds</title>
      <link>https://qualla.com/vrouwenhuis/</link>
      <description><![CDATA[Photo credit Peter van de Velde, Public domain. The art on the walls is the heart of what makes the Vrouwenhuis significant. Paintings by Greve, by the Holt sisters, by van Marle, and quite possibly some left over from Aleijda Wolfsen herself, hang in roughly the arrangement Greve fixed in her will. Whether each canvas was pai...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Peter van de Velde, Public domain. The art on the walls is the heart of what makes the Vrouwenhuis significant. Paintings by Greve, by the Holt sisters, by van Marle, and quite possibly some left over from Aleijda Wolfsen herself, hang in roughly the arrangement Greve fixed in her will. Whether each canvas was pai...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/vrouwenhuis/">Vrouwenhuis on Qualla</a></p><p><em>Image: Peter van de Velde | Public domain</em></p>]]></content:encoded>
      <pubDate>Sat, 16 May 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>5</itunes:episode>
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