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    <title>Qualla: Shadows-on-the-Teche</title>
    <link>https://qualla.com/shadows-on-the-teche</link>
    <description><![CDATA[A Greek Revival plantation house in New Iberia whose 190-year story weaves together sugar fortunes, enslaved labor, Civil War occupation, family tragedy, and an eccentric heir who hosted Walt Disney and Henry Miller.]]></description>
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    <copyright>© 2026 Bendyline</copyright>
    <lastBuildDate>Mon, 20 Jul 2026 10:21:03 GMT</lastBuildDate>
    <itunes:author>Qualla</itunes:author>
    <itunes:summary><![CDATA[A Greek Revival plantation house in New Iberia whose 190-year story weaves together sugar fortunes, enslaved labor, Civil War occupation, family tragedy, and an eccentric heir who hosted Walt Disney and Henry Miller.]]></itunes:summary>
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      <itunes:name>Qualla</itunes:name>
      <itunes:email>support@bendyline.com</itunes:email>
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      <title>Qualla: Shadows-on-the-Teche</title>
      <link>https://qualla.com/shadows-on-the-teche</link>
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      <title>Shadows-on-the-Teche: Introduction</title>
      <link>https://qualla.com/shadows-on-the-teche/</link>
      <description><![CDATA[Photo credit Elisa Rolle, CC BY-SA 3.0. The man who saved Shadows-on-the-Teche was, by most accounts, a magnificent eccentric. William Weeks Hall painted in the art studio on the ground floor, threw lavish parties on the second-floor gallery, and welcomed guests ranging from Cecil B. DeMille to Walt Disney to Henry Miller, who later wrote about the visit in his travelogue The Air-Conditioned Nightmare. When Hall died in 1958, he donated the entire property to the National Trust for Historic Preservation, ensuring that the red-brick plantation house his great-grandparents had built in 1834 would outlast the family that nearly lost it. Perched twenty feet above the banks of Bayou Teche in New Iberia, Louisiana, Shadows-on-the-Teche is a National Historic Landmark that holds within its sixteen rooms a story about wealth, enslavement, war, resilience, and the complicated question of what it means to preserve the past.]]></description>
      <content:encoded><![CDATA[<p>Photo credit Elisa Rolle, CC BY-SA 3.0. The man who saved Shadows-on-the-Teche was, by most accounts, a magnificent eccentric. William Weeks Hall painted in the art studio on the ground floor, threw lavish parties on the second-floor gallery, and welcomed guests ranging from Cecil B. DeMille to Walt Disney to Henry Miller, who later wrote about the visit in his travelogue The Air-Conditioned Nightmare. When Hall died in 1958, he donated the entire property to the National Trust for Historic Preservation, ensuring that the red-brick plantation house his great-grandparents had built in 1834 would outlast the family that nearly lost it. Perched twenty feet above the banks of Bayou Teche in New Iberia, Louisiana, Shadows-on-the-Teche is a National Historic Landmark that holds within its sixteen rooms a story about wealth, enslavement, war, resilience, and the complicated question of what it means to preserve the past.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/shadows-on-the-teche/">Shadows-on-the-Teche on Qualla</a></p><p><em>Image: Elisa Rolle | CC BY-SA 3.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>1</itunes:episode>
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      <title>Shadows-on-the-Teche: Columns Above the Bayou</title>
      <link>https://qualla.com/shadows-on-the-teche/</link>
      <description><![CDATA[Photo credit Elisa Rolle, CC BY-SA 3.0. The house arrived at the peak of Greek Revival architecture in America, and it shows. Eight full-height Tuscan columns of white-plastered brick march across the south facade, supporting a second-floor gallery topped by a Doric frieze. Three pedimented dormers punctuate the gabled...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Elisa Rolle, CC BY-SA 3.0. The house arrived at the peak of Greek Revival architecture in America, and it shows. Eight full-height Tuscan columns of white-plastered brick march across the south facade, supporting a second-floor gallery topped by a Doric frieze. Three pedimented dormers punctuate the gabled...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/shadows-on-the-teche/">Shadows-on-the-Teche on Qualla</a></p><p><em>Image: Elisa Rolle | CC BY-SA 3.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>2</itunes:episode>
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      <title>Shadows-on-the-Teche: Sugar, Slaves, and Sorrow</title>
      <link>https://qualla.com/shadows-on-the-teche/</link>
      <description><![CDATA[Photo credit NatalieMaynor from Jackson, Mississippi, USA, CC BY 2.0. David and Mary Weeks built Shadows-on-the-Teche as a town house for social life and entertainment, one piece of a plantation empire spanning four properties across the Acadiana region. But David Weeks never enjoyed the finished house. Chronically ill during its construction, he t...]]></description>
      <content:encoded><![CDATA[<p>Photo credit NatalieMaynor from Jackson, Mississippi, USA, CC BY 2.0. David and Mary Weeks built Shadows-on-the-Teche as a town house for social life and entertainment, one piece of a plantation empire spanning four properties across the Acadiana region. But David Weeks never enjoyed the finished house. Chronically ill during its construction, he t...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/shadows-on-the-teche/">Shadows-on-the-Teche on Qualla</a></p><p><em>Image: NatalieMaynor from Jackson, Mississippi, USA | CC BY 2.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>3</itunes:episode>
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      <title>Shadows-on-the-Teche: Union Officers in the Parlor</title>
      <link>https://qualla.com/shadows-on-the-teche/</link>
      <description><![CDATA[Photo credit Elisa.rolle, CC BY-SA 3.0. When Louisiana seceded from the Union in 1861, John Moore served as a delegate to the secession convention, a political stance that made the household a target during the Civil War. Federal troops requisitioned the property, and Union officers quartered themselves inside the hous...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Elisa.rolle, CC BY-SA 3.0. When Louisiana seceded from the Union in 1861, John Moore served as a delegate to the secession convention, a political stance that made the household a target during the Civil War. Federal troops requisitioned the property, and Union officers quartered themselves inside the hous...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/shadows-on-the-teche/">Shadows-on-the-Teche on Qualla</a></p><p><em>Image: Elisa.rolle | CC BY-SA 3.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>4</itunes:episode>
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      <title>Shadows-on-the-Teche: The Bohemian Heir</title>
      <link>https://qualla.com/shadows-on-the-teche/</link>
      <description><![CDATA[Photo credit Elisa Rolle, CC BY-SA 3.0. William Weeks Hall, the last private owner, transformed what remained. An artist and preservationist, Hall laid out the gardens that still define the property: boxwood hedges and aspidistra walks threaded among live oaks, bamboo, camellias, and azaleas. He built a summer house in...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Elisa Rolle, CC BY-SA 3.0. William Weeks Hall, the last private owner, transformed what remained. An artist and preservationist, Hall laid out the gardens that still define the property: boxwood hedges and aspidistra walks threaded among live oaks, bamboo, camellias, and azaleas. He built a summer house in...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/shadows-on-the-teche/">Shadows-on-the-Teche on Qualla</a></p><p><em>Image: Elisa Rolle | CC BY-SA 3.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>5</itunes:episode>
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      <title>Shadows-on-the-Teche: Reckoning with the Full Story</title>
      <link>https://qualla.com/shadows-on-the-teche/</link>
      <description><![CDATA[Photo credit Elisa.rolle, CC BY-SA 3.0. When Hall donated Shadows-on-the-Teche to the National Trust for Historic Preservation before his death in 1958, he preserved a property whose layers of history resist simple celebration. The house is beautiful, its Greek Revival lines still commanding above the bayou. The garden...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Elisa.rolle, CC BY-SA 3.0. When Hall donated Shadows-on-the-Teche to the National Trust for Historic Preservation before his death in 1958, he preserved a property whose layers of history resist simple celebration. The house is beautiful, its Greek Revival lines still commanding above the bayou. The garden...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/shadows-on-the-teche/">Shadows-on-the-Teche on Qualla</a></p><p><em>Image: Elisa.rolle | CC BY-SA 3.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>6</itunes:episode>
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