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    <title>Qualla: Scrovegni Chapel</title>
    <link>https://qualla.com/scrovegni-chapel</link>
    <description><![CDATA[A small chapel in Padua whose interior walls, covered floor to ceiling with Giotto's revolutionary fresco cycle completed around 1305, mark the moment Western painting broke away from medieval convention and began telling human stories.]]></description>
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    <itunes:summary><![CDATA[A small chapel in Padua whose interior walls, covered floor to ceiling with Giotto's revolutionary fresco cycle completed around 1305, mark the moment Western painting broke away from medieval convention and began telling human stories.]]></itunes:summary>
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      <title>Qualla: Scrovegni Chapel</title>
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      <title>Scrovegni Chapel: Introduction</title>
      <link>https://qualla.com/scrovegni-chapel/</link>
      <description><![CDATA[Photo credit Giotto, Public domain. A wealthy banker with a guilty conscience hired the greatest painter of his age to cover a chapel in images of salvation. The result changed the course of Western art. Enrico Scrovegni commissioned Giotto di Bondone to decorate the interior of his private chapel in Padua sometime around 1303, and by 1305 the work was complete. The chapel is small — the nave measures just 20.88 meters long, 8.41 meters wide, and 12.65 meters high — but every inch of wall and ceiling is painted. What Giotto accomplished in this confined space launched a revolution in European painting that would not fully play out for another century.]]></description>
      <content:encoded><![CDATA[<p>Photo credit Giotto, Public domain. A wealthy banker with a guilty conscience hired the greatest painter of his age to cover a chapel in images of salvation. The result changed the course of Western art. Enrico Scrovegni commissioned Giotto di Bondone to decorate the interior of his private chapel in Padua sometime around 1303, and by 1305 the work was complete. The chapel is small — the nave measures just 20.88 meters long, 8.41 meters wide, and 12.65 meters high — but every inch of wall and ceiling is painted. What Giotto accomplished in this confined space launched a revolution in European painting that would not fully play out for another century.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/scrovegni-chapel/">Scrovegni Chapel on Qualla</a></p><p><em>Image: Giotto | Public domain</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>1</itunes:episode>
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      <title>Scrovegni Chapel: A Son&apos;s Atonement</title>
      <link>https://qualla.com/scrovegni-chapel/</link>
      <description><![CDATA[Photo credit Unknown author, Public domain. Enrico Scrovegni's father, Reginaldo, was a moneylender whose reputation was severe enough that Dante placed him among the usurers in the seventh circle of the Inferno. Whether or not Enrico felt the weight of that condemnation — scholars debate the timeline, since Dante's verses...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Unknown author, Public domain. Enrico Scrovegni's father, Reginaldo, was a moneylender whose reputation was severe enough that Dante placed him among the usurers in the seventh circle of the Inferno. Whether or not Enrico felt the weight of that condemnation — scholars debate the timeline, since Dante's verses...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/scrovegni-chapel/">Scrovegni Chapel on Qualla</a></p><p><em>Image: Unknown author | Public domain</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>2</itunes:episode>
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      <title>Scrovegni Chapel: Painting as Drama</title>
      <link>https://qualla.com/scrovegni-chapel/</link>
      <description><![CDATA[Photo credit Giotto, Public domain. Before Giotto, medieval painting depicted sacred figures as flat, iconic presences floating against gold backgrounds. At the Scrovegni Chapel, Giotto gave them weight, emotion, and space to move in. His figures stand on solid ground. They turn toward one another. Their faces regi...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Giotto, Public domain. Before Giotto, medieval painting depicted sacred figures as flat, iconic presences floating against gold backgrounds. At the Scrovegni Chapel, Giotto gave them weight, emotion, and space to move in. His figures stand on solid ground. They turn toward one another. Their faces regi...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/scrovegni-chapel/">Scrovegni Chapel on Qualla</a></p><p><em>Image: Giotto | Public domain</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <title>Scrovegni Chapel: Virtues, Vices, and a Cosmic Ceiling</title>
      <link>https://qualla.com/scrovegni-chapel/</link>
      <description><![CDATA[Photo credit Giotto, Public domain. Below the narrative scenes, fourteen monochrome figures line the bottom tier of the side walls: seven Vices on the north and seven Virtues on the south. Painted in grisaille to resemble marble sculptures, each stands within a mirror-like frame, named in Latin above. The Vices — S...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Giotto, Public domain. Below the narrative scenes, fourteen monochrome figures line the bottom tier of the side walls: seven Vices on the north and seven Virtues on the south. Painted in grisaille to resemble marble sculptures, each stands within a mirror-like frame, named in Latin above. The Vices — S...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/scrovegni-chapel/">Scrovegni Chapel on Qualla</a></p><p><em>Image: Giotto | Public domain</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <title>Scrovegni Chapel: Seven Centuries of Fragile Survival</title>
      <link>https://qualla.com/scrovegni-chapel/</link>
      <description><![CDATA[Photo credit Zairon, CC BY-SA 4.0. The Scrovegni Chapel was never a public church. It was a private family chapel attached to a palace, and the palace itself was demolished by 1827. The chapel survived, becoming part of the complex of the Musei Civici di Padova alongside the former Augustinian monastery, the Monas...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Zairon, CC BY-SA 4.0. The Scrovegni Chapel was never a public church. It was a private family chapel attached to a palace, and the palace itself was demolished by 1827. The chapel survived, becoming part of the complex of the Musei Civici di Padova alongside the former Augustinian monastery, the Monas...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/scrovegni-chapel/">Scrovegni Chapel on Qualla</a></p><p><em>Image: Zairon | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>5</itunes:episode>
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