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    <title>Qualla: Royal Palace, Luang Prabang</title>
    <link>https://qualla.com/royal-palace-luang-prabang</link>
    <description><![CDATA[A French-colonial palace on the Mekong that became a museum overnight when Laos's monarchy fell in 1975, preserving royal bedrooms exactly as the last king left them.]]></description>
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    <copyright>© 2026 Bendyline</copyright>
    <lastBuildDate>Mon, 20 Jul 2026 10:21:37 GMT</lastBuildDate>
    <itunes:author>Qualla</itunes:author>
    <itunes:summary><![CDATA[A French-colonial palace on the Mekong that became a museum overnight when Laos's monarchy fell in 1975, preserving royal bedrooms exactly as the last king left them.]]></itunes:summary>
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      <itunes:name>Qualla</itunes:name>
      <itunes:email>support@bendyline.com</itunes:email>
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        <itunes:category text="Places &amp; Travel"/>
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      <title>Qualla: Royal Palace, Luang Prabang</title>
      <link>https://qualla.com/royal-palace-luang-prabang</link>
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      <title>Royal Palace, Luang Prabang: Introduction</title>
      <link>https://qualla.com/royal-palace-luang-prabang/</link>
      <description><![CDATA[Photo credit Christophe95, CC BY-SA 4.0. The murals inside the king's reception room were designed to be viewed at specific hours. French artist Alix de Fauntereau painted them in 1930 so that morning light would illuminate the dawn scenes, afternoon sun would warm the midday panels, and the golden hour would complete the cycle on the western wall. It is a small, almost obsessive detail -- and it captures everything about the Haw Kham, the golden hall that served as Laos's royal palace. Built in 1904 where the Nam Khan River meets the Mekong, the palace was sited so that foreign dignitaries could step directly from their boats onto the steps below and be received by the king. Today, visitors still approach from the river side, climbing the same Italian marble staircase. But the king who should greet them is gone.]]></description>
      <content:encoded><![CDATA[<p>Photo credit Christophe95, CC BY-SA 4.0. The murals inside the king's reception room were designed to be viewed at specific hours. French artist Alix de Fauntereau painted them in 1930 so that morning light would illuminate the dawn scenes, afternoon sun would warm the midday panels, and the golden hour would complete the cycle on the western wall. It is a small, almost obsessive detail -- and it captures everything about the Haw Kham, the golden hall that served as Laos's royal palace. Built in 1904 where the Nam Khan River meets the Mekong, the palace was sited so that foreign dignitaries could step directly from their boats onto the steps below and be received by the king. Today, visitors still approach from the river side, climbing the same Italian marble staircase. But the king who should greet them is gone.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/royal-palace-luang-prabang/">Royal Palace, Luang Prabang on Qualla</a></p><p><em>Image: Christophe95 | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Thu, 26 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>1</itunes:episode>
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      <title>Royal Palace, Luang Prabang: Where Two Rivers Meet</title>
      <link>https://qualla.com/royal-palace-luang-prabang/</link>
      <description><![CDATA[Photo credit Christophe95, CC BY-SA 4.0. The French built the Haw Kham during their colonial administration of Laos, creating something that belonged fully to neither culture. Its double-cruciform floor plan follows Beaux-Arts symmetry, but above the entrance stands a three-headed elephant sheltered by the sacred white ...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Christophe95, CC BY-SA 4.0. The French built the Haw Kham during their colonial administration of Laos, creating something that belonged fully to neither culture. Its double-cruciform floor plan follows Beaux-Arts symmetry, but above the entrance stands a three-headed elephant sheltered by the sacred white ...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/royal-palace-luang-prabang/">Royal Palace, Luang Prabang on Qualla</a></p><p><em>Image: Christophe95 | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Thu, 26 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>2</itunes:episode>
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      <title>Royal Palace, Luang Prabang: A Buddha&apos;s Long Journey Home</title>
      <link>https://qualla.com/royal-palace-luang-prabang/</link>
      <description><![CDATA[Photo credit Christophe95, CC BY-SA 4.0. The palace's most treasured object is the Phra Bang, a standing Buddha cast from a gold, silver, and bronze alloy that stands 83 centimeters tall and weighs roughly 50 kilograms. According to tradition, it was crafted around the first century in Sri Lanka, eventually making its w...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Christophe95, CC BY-SA 4.0. The palace's most treasured object is the Phra Bang, a standing Buddha cast from a gold, silver, and bronze alloy that stands 83 centimeters tall and weighs roughly 50 kilograms. According to tradition, it was crafted around the first century in Sri Lanka, eventually making its w...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/royal-palace-luang-prabang/">Royal Palace, Luang Prabang on Qualla</a></p><p><em>Image: Christophe95 | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Thu, 26 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>3</itunes:episode>
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      <title>Royal Palace, Luang Prabang: Portraits on the Wall, Ghosts in the Room</title>
      <link>https://qualla.com/royal-palace-luang-prabang/</link>
      <description><![CDATA[Photo credit Unknown photographer Anefo, CC BY-SA 3.0. In the queen's former reception room hang three large portraits: King Savang Vatthana, Queen Khamphoui, and Crown Prince Vong Savang, painted in 1967 by Russian artist Ilya Glazunov. The faces are composed, regal, confident. Eight years after those portraits were completed, the P...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Unknown photographer Anefo, CC BY-SA 3.0. In the queen's former reception room hang three large portraits: King Savang Vatthana, Queen Khamphoui, and Crown Prince Vong Savang, painted in 1967 by Russian artist Ilya Glazunov. The faces are composed, regal, confident. Eight years after those portraits were completed, the P...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/royal-palace-luang-prabang/">Royal Palace, Luang Prabang on Qualla</a></p><p><em>Image: Unknown photographer Anefo | CC BY-SA 3.0</em></p>]]></content:encoded>
      <pubDate>Thu, 26 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>4</itunes:episode>
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      <title>Royal Palace, Luang Prabang: The Museum That Was a Monarchy</title>
      <link>https://qualla.com/royal-palace-luang-prabang/</link>
      <description><![CDATA[Photo credit Christophe95, CC BY-SA 4.0. The conversion from palace to national museum happened swiftly after the communist takeover. What had been a living seat of power became an exhibit almost overnight. The gilded and lacquered Ramayana screens in the reception room, crafted by local artisan Thit Tanh, still shimmer...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Christophe95, CC BY-SA 4.0. The conversion from palace to national museum happened swiftly after the communist takeover. What had been a living seat of power became an exhibit almost overnight. The gilded and lacquered Ramayana screens in the reception room, crafted by local artisan Thit Tanh, still shimmer...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/royal-palace-luang-prabang/">Royal Palace, Luang Prabang on Qualla</a></p><p><em>Image: Christophe95 | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Thu, 26 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>5</itunes:episode>
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