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    <title>Qualla: Preservation Hall</title>
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    <description><![CDATA[A weathered Creole townhouse on St. Peter Street where traditional New Orleans jazz has been played nightly since 1961, kept alive by a tuba-playing Wharton graduate who gave up business for music.]]></description>
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    <itunes:summary><![CDATA[A weathered Creole townhouse on St. Peter Street where traditional New Orleans jazz has been played nightly since 1961, kept alive by a tuba-playing Wharton graduate who gave up business for music.]]></itunes:summary>
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      <title>Qualla: Preservation Hall</title>
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      <title>Preservation Hall: Introduction</title>
      <link>https://qualla.com/preservation-hall/</link>
      <description><![CDATA[Photo credit Infrogmation, CC BY 2.5. There is no bar, no air conditioning, no amplification. The wooden benches are worn smooth, the plaster walls are cracked and dimly lit, and the musicians sit so close you can watch the spit valves drip. Preservation Hall at 726 St. Peter Street in the French Quarter does not sell an experience; it simply is one. Since 1961, this intimate room inside an early 19th-century Creole townhouse has served as the living sanctuary of traditional New Orleans jazz, the place where musicians in their sixties, seventies, and even nineties played the music that the modern world was forgetting.]]></description>
      <content:encoded><![CDATA[<p>Photo credit Infrogmation, CC BY 2.5. There is no bar, no air conditioning, no amplification. The wooden benches are worn smooth, the plaster walls are cracked and dimly lit, and the musicians sit so close you can watch the spit valves drip. Preservation Hall at 726 St. Peter Street in the French Quarter does not sell an experience; it simply is one. Since 1961, this intimate room inside an early 19th-century Creole townhouse has served as the living sanctuary of traditional New Orleans jazz, the place where musicians in their sixties, seventies, and even nineties played the music that the modern world was forgetting.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/preservation-hall/">Preservation Hall on Qualla</a></p><p><em>Image: Infrogmation | CC BY 2.5</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>1</itunes:episode>
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      <title>Preservation Hall: The Art That Listened</title>
      <link>https://qualla.com/preservation-hall/</link>
      <description><![CDATA[Photo credit Infrogmation of New Orleans, CC BY 3.0. In the 1950s, Larry Borenstein, an art dealer from Milwaukee, ran a small gallery called Associated Artists at 726 St. Peter Street. Business was slow, so Borenstein began inviting local jazz musicians to play informal rehearsal sessions in the gallery, hoping the music would att...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Infrogmation of New Orleans, CC BY 3.0. In the 1950s, Larry Borenstein, an art dealer from Milwaukee, ran a small gallery called Associated Artists at 726 St. Peter Street. Business was slow, so Borenstein began inviting local jazz musicians to play informal rehearsal sessions in the gallery, hoping the music would att...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/preservation-hall/">Preservation Hall on Qualla</a></p><p><em>Image: Infrogmation of New Orleans | CC BY 3.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>2</itunes:episode>
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      <title>Preservation Hall: No Drinks, No Ads, No Compromise</title>
      <link>https://qualla.com/preservation-hall/</link>
      <description><![CDATA[Photo credit Infrogmation of New Orleans, CC BY 3.0. When Borenstein offered the Jaffes management of the Hall in September 1961, Allan accepted with a vision that was radical in its simplicity: the music and nothing else. He served no alcohol, used no microphones, and refused to advertise. What he did was hire aging Black musician...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Infrogmation of New Orleans, CC BY 3.0. When Borenstein offered the Jaffes management of the Hall in September 1961, Allan accepted with a vision that was radical in its simplicity: the music and nothing else. He served no alcohol, used no microphones, and refused to advertise. What he did was hire aging Black musician...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/preservation-hall/">Preservation Hall on Qualla</a></p><p><em>Image: Infrogmation of New Orleans | CC BY 3.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>3</itunes:episode>
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      <title>Preservation Hall: A Threadbare Cathedral</title>
      <link>https://qualla.com/preservation-hall/</link>
      <description><![CDATA[Photo credit Infrogmation of New Orleans, CC BY 3.0. The building itself is part of the experience. The early 19th-century structure carries Spanish colonial and Creole architectural influences typical of the French Quarter, with weathered shutters and iron detailing on its facade. Inside, the performance space is deliberately mode...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Infrogmation of New Orleans, CC BY 3.0. The building itself is part of the experience. The early 19th-century structure carries Spanish colonial and Creole architectural influences typical of the French Quarter, with weathered shutters and iron detailing on its facade. Inside, the performance space is deliberately mode...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/preservation-hall/">Preservation Hall on Qualla</a></p><p><em>Image: Infrogmation of New Orleans | CC BY 3.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>4</itunes:episode>
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      <title>Preservation Hall: Surviving the Storm</title>
      <link>https://qualla.com/preservation-hall/</link>
      <description><![CDATA[Photo credit Matthewobrien, CC BY-SA 4.0. When Hurricane Katrina struck in 2005, Preservation Hall sustained roof damage but escaped the catastrophic flooding that devastated much of New Orleans. The greater threat was to the community itself. Musicians scattered across the country, and it took nearly a year to reassembl...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Matthewobrien, CC BY-SA 4.0. When Hurricane Katrina struck in 2005, Preservation Hall sustained roof damage but escaped the catastrophic flooding that devastated much of New Orleans. The greater threat was to the community itself. Musicians scattered across the country, and it took nearly a year to reassembl...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/preservation-hall/">Preservation Hall on Qualla</a></p><p><em>Image: Matthewobrien | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>5</itunes:episode>
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      <title>Preservation Hall: The Sound That Stays</title>
      <link>https://qualla.com/preservation-hall/</link>
      <description><![CDATA[Photo credit Infrogmation, CC BY 2.5. Preservation Hall operates today much as it did in 1961. Shows run nightly, with three sets per evening. There is still no bar, still no air conditioning, and the cover charge remains modest. The Preservation Hall Jazz Band, now a globally touring act, returns regularly to its ho...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Infrogmation, CC BY 2.5. Preservation Hall operates today much as it did in 1961. Shows run nightly, with three sets per evening. There is still no bar, still no air conditioning, and the cover charge remains modest. The Preservation Hall Jazz Band, now a globally touring act, returns regularly to its ho...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/preservation-hall/">Preservation Hall on Qualla</a></p><p><em>Image: Infrogmation | CC BY 2.5</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>6</itunes:episode>
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