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    <title>Qualla: Palazzo Labia</title>
    <link>https://qualla.com/palazzo-labia</link>
    <description><![CDATA[A baroque palazzo built by Catalan newcomers who bought their way into Venetian nobility, famous for Tiepolo's frescoed ballroom and a legendary 1951 masquerade ball.]]></description>
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    <lastBuildDate>Mon, 20 Jul 2026 10:21:35 GMT</lastBuildDate>
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    <itunes:summary><![CDATA[A baroque palazzo built by Catalan newcomers who bought their way into Venetian nobility, famous for Tiepolo's frescoed ballroom and a legendary 1951 masquerade ball.]]></itunes:summary>
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      <itunes:name>Qualla</itunes:name>
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      <title>Qualla: Palazzo Labia</title>
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      <title>Palazzo Labia: Introduction</title>
      <link>https://qualla.com/palazzo-labia/</link>
      <description><![CDATA[Photo credit Abxbay, CC BY-SA 3.0. On September 3, 1951, a thousand costumed guests arrived at Palazzo Labia for Le Bal Oriental, a masquerade so extravagant it launched Pierre Cardin's career and had Christian Dior and Salvador Dali designing each other's costumes. Cecil Beaton's photographs from that night capture a world that seemed to be consciously reenacting the final days of the Venetian Republic -- glittering, excessive, aware of its own impermanence. The palazzo that hosted this spectacle had been built three centuries earlier by a family that understood spectacle as survival strategy.]]></description>
      <content:encoded><![CDATA[<p>Photo credit Abxbay, CC BY-SA 3.0. On September 3, 1951, a thousand costumed guests arrived at Palazzo Labia for Le Bal Oriental, a masquerade so extravagant it launched Pierre Cardin's career and had Christian Dior and Salvador Dali designing each other's costumes. Cecil Beaton's photographs from that night capture a world that seemed to be consciously reenacting the final days of the Venetian Republic -- glittering, excessive, aware of its own impermanence. The palazzo that hosted this spectacle had been built three centuries earlier by a family that understood spectacle as survival strategy.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/palazzo-labia/">Palazzo Labia on Qualla</a></p><p><em>Image: Abxbay | CC BY-SA 3.0</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>1</itunes:episode>
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      <title>Palazzo Labia: Buying a Bloodline</title>
      <link>https://qualla.com/palazzo-labia/</link>
      <description><![CDATA[Photo credit Didier Descouens, CC BY-SA 4.0. The Labia family was originally Catalan, and they did something that old Venetian aristocracy found unforgivable: they purchased their way into nobility in 1646. The Republic of Venice, its treasury depleted by wars with the Ottoman Empire, had begun selling inscriptions into the...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Didier Descouens, CC BY-SA 4.0. The Labia family was originally Catalan, and they did something that old Venetian aristocracy found unforgivable: they purchased their way into nobility in 1646. The Republic of Venice, its treasury depleted by wars with the Ottoman Empire, had begun selling inscriptions into the...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/palazzo-labia/">Palazzo Labia on Qualla</a></p><p><em>Image: Didier Descouens | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>2</itunes:episode>
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      <title>Palazzo Labia: Cleopatra in the Ballroom</title>
      <link>https://qualla.com/palazzo-labia/</link>
      <description><![CDATA[Photo credit Giovanni Battista Tiepolo, Public domain. The palazzo owes its fame to two brothers, Angelo Maria and Paolo Antonio Labia, who in 1746-47 commissioned Giovanni Battista Tiepolo at the height of his powers to fresco their double-height ballroom. The Salone delle Feste is entirely covered with scenes from the romantic enco...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Giovanni Battista Tiepolo, Public domain. The palazzo owes its fame to two brothers, Angelo Maria and Paolo Antonio Labia, who in 1746-47 commissioned Giovanni Battista Tiepolo at the height of his powers to fresco their double-height ballroom. The Salone delle Feste is entirely covered with scenes from the romantic enco...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/palazzo-labia/">Palazzo Labia on Qualla</a></p><p><em>Image: Giovanni Battista Tiepolo | Public domain</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>3</itunes:episode>
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      <title>Palazzo Labia: Marionettes and Informers</title>
      <link>https://qualla.com/palazzo-labia/</link>
      <description><![CDATA[Photo credit Honza Beran, CC BY 3.0. The brothers who commissioned Tiepolo were, by most accounts, unremarkable in everything except their patronage. Angelo Maria became an abbe to avoid the political obligations of aristocratic life, yet curiously this did not prevent him from marrying -- though his wife was a comm...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Honza Beran, CC BY 3.0. The brothers who commissioned Tiepolo were, by most accounts, unremarkable in everything except their patronage. Angelo Maria became an abbe to avoid the political obligations of aristocratic life, yet curiously this did not prevent him from marrying -- though his wife was a comm...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/palazzo-labia/">Palazzo Labia on Qualla</a></p><p><em>Image: Honza Beran | CC BY 3.0</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>4</itunes:episode>
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      <title>Palazzo Labia: Three Facades, Three Centuries of Decay</title>
      <link>https://qualla.com/palazzo-labia/</link>
      <description><![CDATA[Photo credit TeraGood, CC BY 3.0. Architecturally, the palazzo broke with Venetian convention. Where most buildings reserved their decoration for the waterfront facade alone, leaving rear elevations as mismatched afterthoughts, Cominelli and Tremignon gave all three sides equal attention. The five-story structure...]]></description>
      <content:encoded><![CDATA[<p>Photo credit TeraGood, CC BY 3.0. Architecturally, the palazzo broke with Venetian convention. Where most buildings reserved their decoration for the waterfront facade alone, leaving rear elevations as mismatched afterthoughts, Cominelli and Tremignon gave all three sides equal attention. The five-story structure...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/palazzo-labia/">Palazzo Labia on Qualla</a></p><p><em>Image: TeraGood | CC BY 3.0</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>5</itunes:episode>
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      <title>Palazzo Labia: From Beistegui to Television</title>
      <link>https://qualla.com/palazzo-labia/</link>
      <description><![CDATA[Photo credit Andrzej Otrębski, CC BY-SA 3.0. Salvation came in 1948 when Don Carlos de Beistegui, a French-born heir to a Mexican fortune, purchased the ruins and began an intensive restoration. He filled the palazzo with frescoes by Raphael, Annibale Carracci, and Guido Reni acquired from less fortunate neighboring palaces...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Andrzej Otrębski, CC BY-SA 3.0. Salvation came in 1948 when Don Carlos de Beistegui, a French-born heir to a Mexican fortune, purchased the ruins and began an intensive restoration. He filled the palazzo with frescoes by Raphael, Annibale Carracci, and Guido Reni acquired from less fortunate neighboring palaces...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/palazzo-labia/">Palazzo Labia on Qualla</a></p><p><em>Image: Andrzej Otrębski | CC BY-SA 3.0</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>6</itunes:episode>
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