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    <title>Qualla: Newport Jazz Festival</title>
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    <description><![CDATA[Born in 1954 on the lawns of Newport Casino, the Newport Jazz Festival survived riots, exile to New York, and corporate name changes to become the longest-running jazz festival in the world, shaping the very idea of what an outdoor music festival could be.]]></description>
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    <itunes:summary><![CDATA[Born in 1954 on the lawns of Newport Casino, the Newport Jazz Festival survived riots, exile to New York, and corporate name changes to become the longest-running jazz festival in the world, shaping the very idea of what an outdoor music festival could be.]]></itunes:summary>
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      <title>Qualla: Newport Jazz Festival</title>
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      <title>Newport Jazz Festival: Introduction</title>
      <link>https://qualla.com/newport-jazz-festival/</link>
      <description><![CDATA[Paul Gonsalves stepped up to the wrong microphone. It was the summer of 1956, and the Duke Ellington Orchestra was deep into "Diminuendo and Crescendo in Blue" at the Newport Jazz Festival when the saxophonist launched into what would become a legendary 27-chorus solo. He had wandered to the Voice of America broadcast mic instead of the band's own, giving his performance an otherworldly, distant tone that sent the crowd into such a frenzy that festival organizers feared a full-blown riot. That moment -- captured, misrecorded, and mythologized -- is pure Newport: a place where jazz stopped being concert hall music and became something electric, unpredictable, and dangerously alive.]]></description>
      <content:encoded><![CDATA[<p>Paul Gonsalves stepped up to the wrong microphone. It was the summer of 1956, and the Duke Ellington Orchestra was deep into "Diminuendo and Crescendo in Blue" at the Newport Jazz Festival when the saxophonist launched into what would become a legendary 27-chorus solo. He had wandered to the Voice of America broadcast mic instead of the band's own, giving his performance an otherworldly, distant tone that sent the crowd into such a frenzy that festival organizers feared a full-blown riot. That moment -- captured, misrecorded, and mythologized -- is pure Newport: a place where jazz stopped being concert hall music and became something electric, unpredictable, and dangerously alive.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/newport-jazz-festival/">Newport Jazz Festival on Qualla</a></p>]]></content:encoded>
      <pubDate>Sun, 22 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>1</itunes:episode>
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      <title>Newport Jazz Festival: A Socialite&apos;s Gamble</title>
      <link>https://qualla.com/newport-jazz-festival/</link>
      <description><![CDATA[The Newport Jazz Festival exists because Elaine Lorillard got bored. In 1954, the tobacco heiress and her husband Louis bankrolled what was billed as the "First Annual American Jazz Festival" at the Newport Casino on Bellevue Avenue, the heart of Gilded Age society. The idea was ...]]></description>
      <content:encoded><![CDATA[<p>The Newport Jazz Festival exists because Elaine Lorillard got bored. In 1954, the tobacco heiress and her husband Louis bankrolled what was billed as the "First Annual American Jazz Festival" at the Newport Casino on Bellevue Avenue, the heart of Gilded Age society. The idea was ...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/newport-jazz-festival/">Newport Jazz Festival on Qualla</a></p>]]></content:encoded>
      <pubDate>Sun, 22 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>2</itunes:episode>
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      <title>Newport Jazz Festival: Riots, Race, and Reinvention</title>
      <link>https://qualla.com/newport-jazz-festival/</link>
      <description><![CDATA[Newport's old-money establishment did not exactly welcome the jazz crowds. Students slept on sidewalks and in parks. Traffic gridlocked the downtown. And the racial dimension was impossible to ignore: many of the musicians and fans were African American, and racist attitudes fuel...]]></description>
      <content:encoded><![CDATA[<p>Newport's old-money establishment did not exactly welcome the jazz crowds. Students slept on sidewalks and in parks. Traffic gridlocked the downtown. And the racial dimension was impossible to ignore: many of the musicians and fans were African American, and racist attitudes fuel...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/newport-jazz-festival/">Newport Jazz Festival on Qualla</a></p>]]></content:encoded>
      <pubDate>Sun, 22 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>3</itunes:episode>
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      <title>Newport Jazz Festival: Exile and Homecoming</title>
      <link>https://qualla.com/newport-jazz-festival/</link>
      <description><![CDATA[George Wein transplanted the festival to New York City in 1972, staging 30 concerts across venues including Yankee Stadium and Radio City Music Hall. But he missed Newport's open sky and salt air. The festival became a brand that traveled -- Saratoga Springs, Madarao in Japan -- ...]]></description>
      <content:encoded><![CDATA[<p>George Wein transplanted the festival to New York City in 1972, staging 30 concerts across venues including Yankee Stadium and Radio City Music Hall. But he missed Newport's open sky and salt air. The festival became a brand that traveled -- Saratoga Springs, Madarao in Japan -- ...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/newport-jazz-festival/">Newport Jazz Festival on Qualla</a></p>]]></content:encoded>
      <pubDate>Sun, 22 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>4</itunes:episode>
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      <title>Newport Jazz Festival: Sounds That Changed Everything</title>
      <link>https://qualla.com/newport-jazz-festival/</link>
      <description><![CDATA[The recordings that came out of Newport rewrote jazz history. Miles Davis's 1955 solo on "'Round Midnight" was so electrifying that it secured him a contract with Columbia Records. The 1957 festival alone produced 12 albums on Verve Records, documenting Ella Fitzgerald, Billie Ho...]]></description>
      <content:encoded><![CDATA[<p>The recordings that came out of Newport rewrote jazz history. Miles Davis's 1955 solo on "'Round Midnight" was so electrifying that it secured him a contract with Columbia Records. The 1957 festival alone produced 12 albums on Verve Records, documenting Ella Fitzgerald, Billie Ho...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/newport-jazz-festival/">Newport Jazz Festival on Qualla</a></p>]]></content:encoded>
      <pubDate>Sun, 22 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>5</itunes:episode>
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      <title>Newport Jazz Festival: The Beat Goes On</title>
      <link>https://qualla.com/newport-jazz-festival/</link>
      <description><![CDATA[George Wein died on September 13, 2021, having missed only two festivals since 1954. Bassist Christian McBride, who made his Newport debut in 1991 as part of the Jazz Futures ensemble, took over as artistic director in 2016. Under McBride, the lineups have stretched from Herbie H...]]></description>
      <content:encoded><![CDATA[<p>George Wein died on September 13, 2021, having missed only two festivals since 1954. Bassist Christian McBride, who made his Newport debut in 1991 as part of the Jazz Futures ensemble, took over as artistic director in 2016. Under McBride, the lineups have stretched from Herbie H...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/newport-jazz-festival/">Newport Jazz Festival on Qualla</a></p>]]></content:encoded>
      <pubDate>Sun, 22 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>6</itunes:episode>
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