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    <title>Qualla: Nelson-Atkins Museum of Art</title>
    <link>https://qualla.com/nelson-atkins-museum-of-art</link>
    <description><![CDATA[Built with a newspaper magnate's fortune during the Great Depression, this Kansas City museum assembled a world-class collection when the art market was flooded and buyers were few -- and is now crowned by four 18-foot shuttlecocks on its lawn.]]></description>
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    <copyright>© 2026 Bendyline</copyright>
    <lastBuildDate>Mon, 20 Jul 2026 10:21:04 GMT</lastBuildDate>
    <itunes:author>Qualla</itunes:author>
    <itunes:summary><![CDATA[Built with a newspaper magnate's fortune during the Great Depression, this Kansas City museum assembled a world-class collection when the art market was flooded and buyers were few -- and is now crowned by four 18-foot shuttlecocks on its lawn.]]></itunes:summary>
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      <title>Qualla: Nelson-Atkins Museum of Art</title>
      <link>https://qualla.com/nelson-atkins-museum-of-art</link>
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      <title>Nelson-Atkins Museum of Art: Introduction</title>
      <link>https://qualla.com/nelson-atkins-museum-of-art/</link>
      <description><![CDATA[Photo credit User:Charvex, Public domain. Four oversized badminton shuttlecocks stand 18 feet tall on the south lawn, their feathered cones planted in the grass as if lobbed by giants. Claes Oldenburg and Coosje van Bruggen installed them in 1994, and they have been stopping traffic on the Brush Creek terraces ever since. The whimsy is deliberate. The Nelson-Atkins Museum of Art, for all the gravitas of its Beaux-Arts limestone facade and its encyclopedic collection spanning nearly every continent and culture, has never been a stuffy institution. Admission has been free since opening day in 1933. The building sits on ground that once held Oak Hall, the estate of Kansas City Star publisher William Rockhill Nelson, whose will directed that his entire fortune go to purchasing artwork for public enjoyment. That a city better known for barbecue and jazz houses one of the finest art museums in the United States is a story of timing, taste, and a Depression-era buyer's market that the curators exploited brilliantly.]]></description>
      <content:encoded><![CDATA[<p>Photo credit User:Charvex, Public domain. Four oversized badminton shuttlecocks stand 18 feet tall on the south lawn, their feathered cones planted in the grass as if lobbed by giants. Claes Oldenburg and Coosje van Bruggen installed them in 1994, and they have been stopping traffic on the Brush Creek terraces ever since. The whimsy is deliberate. The Nelson-Atkins Museum of Art, for all the gravitas of its Beaux-Arts limestone facade and its encyclopedic collection spanning nearly every continent and culture, has never been a stuffy institution. Admission has been free since opening day in 1933. The building sits on ground that once held Oak Hall, the estate of Kansas City Star publisher William Rockhill Nelson, whose will directed that his entire fortune go to purchasing artwork for public enjoyment. That a city better known for barbecue and jazz houses one of the finest art museums in the United States is a story of timing, taste, and a Depression-era buyer's market that the curators exploited brilliantly.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/nelson-atkins-museum-of-art/">Nelson-Atkins Museum of Art on Qualla</a></p><p><em>Image: User:Charvex | Public domain</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>1</itunes:episode>
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      <title>Nelson-Atkins Museum of Art: A Fortune Spent on Beauty</title>
      <link>https://qualla.com/nelson-atkins-museum-of-art/</link>
      <description><![CDATA[Photo credit User:Charvex, Public domain. When William Rockhill Nelson died in 1915, his estate passed first to his wife and daughter, then to a trust for art acquisition. Around the same time, retired Kansas City schoolteacher Mary Atkins left her own bequest for a museum. Trustees of both estates decided to combine for...]]></description>
      <content:encoded><![CDATA[<p>Photo credit User:Charvex, Public domain. When William Rockhill Nelson died in 1915, his estate passed first to his wife and daughter, then to a trust for art acquisition. Around the same time, retired Kansas City schoolteacher Mary Atkins left her own bequest for a museum. Trustees of both estates decided to combine for...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/nelson-atkins-museum-of-art/">Nelson-Atkins Museum of Art on Qualla</a></p><p><em>Image: User:Charvex | Public domain</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>2</itunes:episode>
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      <title>Nelson-Atkins Museum of Art: The Harvard Fellow Who Shopped in China</title>
      <link>https://qualla.com/nelson-atkins-museum-of-art/</link>
      <description><![CDATA[Photo credit Bargode, CC BY-SA 4.0. The museum's celebrated Asian art collection owes its existence largely to one man. Laurence Sickman was a Harvard fellow living in China in the early 1930s when the Nelson-Atkins trustees began sending him thousands of dollars to buy art. His scholarly expertise cost them nothin...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Bargode, CC BY-SA 4.0. The museum's celebrated Asian art collection owes its existence largely to one man. Laurence Sickman was a Harvard fellow living in China in the early 1930s when the Nelson-Atkins trustees began sending him thousands of dollars to buy art. His scholarly expertise cost them nothin...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/nelson-atkins-museum-of-art/">Nelson-Atkins Museum of Art on Qualla</a></p><p><em>Image: Bargode | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>3</itunes:episode>
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      <title>Nelson-Atkins Museum of Art: From Bosch to Benton</title>
      <link>https://qualla.com/nelson-atkins-museum-of-art/</link>
      <description><![CDATA[Photo credit Thomas Eakins, Public domain. The collection ranges across millennia and continents. Egyptian pharaohs and Cycladic idols share space with sculptures from the Assyrian palace of Ashurnasirpal II at Nimrud. The European galleries hold works by Caravaggio, Rembrandt, El Greco, Monet, and Van Gogh. In 2016, fore...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Thomas Eakins, Public domain. The collection ranges across millennia and continents. Egyptian pharaohs and Cycladic idols share space with sculptures from the Assyrian palace of Ashurnasirpal II at Nimrud. The European galleries hold works by Caravaggio, Rembrandt, El Greco, Monet, and Van Gogh. In 2016, fore...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/nelson-atkins-museum-of-art/">Nelson-Atkins Museum of Art on Qualla</a></p><p><em>Image: Thomas Eakins | Public domain</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>4</itunes:episode>
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      <title>Nelson-Atkins Museum of Art: Light from Below</title>
      <link>https://qualla.com/nelson-atkins-museum-of-art/</link>
      <description><![CDATA[Photo credit The original uploader was Americasroof at English Wikipedia., CC BY-SA 3.0. In 2007, Time magazine ranked the museum's Bloch Building addition number one on its list of the ten best new architectural marvels worldwide. Designed by Steven Holl Architects, the addition consists of five translucent glass pavilions -- each 27 to 60 feet tall -- that emerge f...]]></description>
      <content:encoded><![CDATA[<p>Photo credit The original uploader was Americasroof at English Wikipedia., CC BY-SA 3.0. In 2007, Time magazine ranked the museum's Bloch Building addition number one on its list of the ten best new architectural marvels worldwide. Designed by Steven Holl Architects, the addition consists of five translucent glass pavilions -- each 27 to 60 feet tall -- that emerge f...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/nelson-atkins-museum-of-art/">Nelson-Atkins Museum of Art on Qualla</a></p><p><em>Image: The original uploader was Americasroof at English Wikipedia. | CC BY-SA 3.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <title>Nelson-Atkins Museum of Art: Everyone&apos;s Museum</title>
      <link>https://qualla.com/nelson-atkins-museum-of-art/</link>
      <description><![CDATA[Photo credit Daderot, Public domain. The museum has never charged admission. Hallmark Cards chairman Donald J. Hall Sr. donated the entire Hallmark Photographic Collection in 2006, spanning the history of photography from 1839 to the present, with works by Dorothea Lange, Alfred Stieglitz, Andy Warhol, and Cindy She...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Daderot, Public domain. The museum has never charged admission. Hallmark Cards chairman Donald J. Hall Sr. donated the entire Hallmark Photographic Collection in 2006, spanning the history of photography from 1839 to the present, with works by Dorothea Lange, Alfred Stieglitz, Andy Warhol, and Cindy She...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/nelson-atkins-museum-of-art/">Nelson-Atkins Museum of Art on Qualla</a></p><p><em>Image: Daderot | Public domain</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>6</itunes:episode>
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