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    <title>Qualla: Kolumba</title>
    <link>https://qualla.com/kolumba</link>
    <description><![CDATA[Peter Zumthor wrapped a perforated brick skin around the bombed ruins of a Cologne church, and the light that filters through the holes is the architecture.]]></description>
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    <copyright>© 2026 Bendyline</copyright>
    <lastBuildDate>Mon, 20 Jul 2026 10:21:34 GMT</lastBuildDate>
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    <itunes:summary><![CDATA[Peter Zumthor wrapped a perforated brick skin around the bombed ruins of a Cologne church, and the light that filters through the holes is the architecture.]]></itunes:summary>
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      <title>Qualla: Kolumba</title>
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      <title>Kolumba: Introduction</title>
      <link>https://qualla.com/kolumba/</link>
      <description><![CDATA[Photo credit Akiramifune, CC BY-SA 4.0. Stand inside the lower hall of the Kolumba museum and look up. Above you, a wall of light grey brick rises to a height most architecture cannot afford. The brick is pierced - not regularly, not as windows, but as a scatter of small openings, as though the wall remembered being something more porous and was now porous again. Daylight comes through in slanting needles. Below you are the foundations of a Romanesque church the Allied bombers destroyed on the night of June 28-29, 1943. Peter Zumthor's building does not cover those foundations. It does not even quite contain them. It hovers over them, a cloak of fired brick around a wound that the city of Cologne decided to keep open.]]></description>
      <content:encoded><![CDATA[<p>Photo credit Akiramifune, CC BY-SA 4.0. Stand inside the lower hall of the Kolumba museum and look up. Above you, a wall of light grey brick rises to a height most architecture cannot afford. The brick is pierced - not regularly, not as windows, but as a scatter of small openings, as though the wall remembered being something more porous and was now porous again. Daylight comes through in slanting needles. Below you are the foundations of a Romanesque church the Allied bombers destroyed on the night of June 28-29, 1943. Peter Zumthor's building does not cover those foundations. It does not even quite contain them. It hovers over them, a cloak of fired brick around a wound that the city of Cologne decided to keep open.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/kolumba/">Kolumba on Qualla</a></p><p><em>Image: Akiramifune | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Sat, 16 May 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>1</itunes:episode>
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      <title>Kolumba: What the Bombs Left</title>
      <link>https://qualla.com/kolumba/</link>
      <description><![CDATA[Photo credit seier+seier, CC BY 2.0. St. Kolumba was one of Cologne's oldest parish churches, founded in the Romanesque period, rebuilt in Gothic style across the medieval centuries. The bombing of Cologne destroyed most of the city center and gutted the church. By 1950 a small chapel had risen on the rubble - the M...]]></description>
      <content:encoded><![CDATA[<p>Photo credit seier+seier, CC BY 2.0. St. Kolumba was one of Cologne's oldest parish churches, founded in the Romanesque period, rebuilt in Gothic style across the medieval centuries. The bombing of Cologne destroyed most of the city center and gutted the church. By 1950 a small chapel had risen on the rubble - the M...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/kolumba/">Kolumba on Qualla</a></p><p><em>Image: seier+seier | CC BY 2.0</em></p>]]></content:encoded>
      <pubDate>Sat, 16 May 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>2</itunes:episode>
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      <title>Kolumba: The Brick That Was Invented for This</title>
      <link>https://qualla.com/kolumba/</link>
      <description><![CDATA[Photo credit Wasily, Public domain. Zumthor needed a brick that would harmonize with the Romanesque rubble walls below and the postwar concrete blocks beside them - and that did not exist. He had it manufactured. The result, known now as Kolumba stones, is long, narrow, light grey, fired with a slow-burn texture th...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Wasily, Public domain. Zumthor needed a brick that would harmonize with the Romanesque rubble walls below and the postwar concrete blocks beside them - and that did not exist. He had it manufactured. The result, known now as Kolumba stones, is long, narrow, light grey, fired with a slow-burn texture th...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/kolumba/">Kolumba on Qualla</a></p><p><em>Image: Wasily | Public domain</em></p>]]></content:encoded>
      <pubDate>Sat, 16 May 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>3</itunes:episode>
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      <title>Kolumba: Sixteen Rooms, No Labels</title>
      <link>https://qualla.com/kolumba/</link>
      <description><![CDATA[Photo credit Gabriele Delhey, CC BY-SA 3.0. Above the excavation hall, sixteen exhibition rooms unfold across upper floors with no signage, no chronology, and no separation between permanent and temporary collections. The Kolumba calls itself a living museum. Late Antiquity Coptic textiles share rooms with Joseph Beuys. St...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Gabriele Delhey, CC BY-SA 3.0. Above the excavation hall, sixteen exhibition rooms unfold across upper floors with no signage, no chronology, and no separation between permanent and temporary collections. The Kolumba calls itself a living museum. Late Antiquity Coptic textiles share rooms with Joseph Beuys. St...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/kolumba/">Kolumba on Qualla</a></p><p><em>Image: Gabriele Delhey | CC BY-SA 3.0</em></p>]]></content:encoded>
      <pubDate>Sat, 16 May 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>4</itunes:episode>
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      <title>Kolumba: Spiritual Verticality</title>
      <link>https://qualla.com/kolumba/</link>
      <description><![CDATA[Photo credit MenkinAlRire, CC BY-SA 4.0. Zumthor wrote a book called Atmospheres about how buildings produce feeling, and the Kolumba is its built argument. The material palette is austere: light grey plaster, Jura limestone floors, terrazzo, steel fittings, wood and leather furniture, silk and leather curtains. The rea...]]></description>
      <content:encoded><![CDATA[<p>Photo credit MenkinAlRire, CC BY-SA 4.0. Zumthor wrote a book called Atmospheres about how buildings produce feeling, and the Kolumba is its built argument. The material palette is austere: light grey plaster, Jura limestone floors, terrazzo, steel fittings, wood and leather furniture, silk and leather curtains. The rea...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/kolumba/">Kolumba on Qualla</a></p><p><em>Image: MenkinAlRire | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Sat, 16 May 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>5</itunes:episode>
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      <title>Kolumba: Two Buildings, One Continuum</title>
      <link>https://qualla.com/kolumba/</link>
      <description><![CDATA[Photo credit Raimond Spekking, CC BY-SA 4.0. Walk down to the lower hall and you walk across a wooden zigzag bridge over the excavated foundations. The Romanesque walls, the Gothic walls, the postwar concrete blocks, and Zumthor's brick are all visible at once. The Bohm chapel from 1950 is still there, integrated as a worki...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Raimond Spekking, CC BY-SA 4.0. Walk down to the lower hall and you walk across a wooden zigzag bridge over the excavated foundations. The Romanesque walls, the Gothic walls, the postwar concrete blocks, and Zumthor's brick are all visible at once. The Bohm chapel from 1950 is still there, integrated as a worki...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/kolumba/">Kolumba on Qualla</a></p><p><em>Image: Raimond Spekking | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Sat, 16 May 2026 00:00:00 GMT</pubDate>
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