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    <title>Qualla: Church of Saint Sophia, Ohrid</title>
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    <description><![CDATA[A medieval cathedral in Ohrid whose walls hold some of the finest Byzantine frescoes in existence, surviving centuries as a mosque before being restored to reveal their brilliance.]]></description>
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    <itunes:summary><![CDATA[A medieval cathedral in Ohrid whose walls hold some of the finest Byzantine frescoes in existence, surviving centuries as a mosque before being restored to reveal their brilliance.]]></itunes:summary>
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      <title>Qualla: Church of Saint Sophia, Ohrid</title>
      <link>https://qualla.com/church-of-saint-sophia-ohrid</link>
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      <title>Church of Saint Sophia, Ohrid: Introduction</title>
      <link>https://qualla.com/church-of-saint-sophia-ohrid/</link>
      <description><![CDATA[Photo credit BrankaVV, CC BY-SA 4.0. Step inside and look up. The Virgin Mary gazes down from the apse, her robes rendered in lapis blue and gold by an 11th-century painter whose name has been lost but whose skill has not. The Church of Saint Sophia in Ohrid, North Macedonia, holds frescoes from the 11th, 12th, and 13th centuries that art historians consider among the most significant achievements in Byzantine painting -- and they survived only because the Ottoman Turks, when they converted the building to a mosque, plastered over the images rather than destroying them. Centuries later, when the plaster was carefully removed, the faces beneath were still vivid, still startling, still looking back.]]></description>
      <content:encoded><![CDATA[<p>Photo credit BrankaVV, CC BY-SA 4.0. Step inside and look up. The Virgin Mary gazes down from the apse, her robes rendered in lapis blue and gold by an 11th-century painter whose name has been lost but whose skill has not. The Church of Saint Sophia in Ohrid, North Macedonia, holds frescoes from the 11th, 12th, and 13th centuries that art historians consider among the most significant achievements in Byzantine painting -- and they survived only because the Ottoman Turks, when they converted the building to a mosque, plastered over the images rather than destroying them. Centuries later, when the plaster was carefully removed, the faces beneath were still vivid, still startling, still looking back.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/church-of-saint-sophia-ohrid/">Church of Saint Sophia, Ohrid on Qualla</a></p><p><em>Image: BrankaVV | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <title>Church of Saint Sophia, Ohrid: Foundations Upon Foundations</title>
      <link>https://qualla.com/church-of-saint-sophia-ohrid/</link>
      <description><![CDATA[Photo credit Vericamit, CC BY-SA 4.0. The church stands on ground that has been sacred for over a millennium. An earlier metropolitan cathedral occupied this site until the first decade of the 6th century, when barbarian invasions swept the early Slavs into the region and demolished it. A replacement rose during the ...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Vericamit, CC BY-SA 4.0. The church stands on ground that has been sacred for over a millennium. An earlier metropolitan cathedral occupied this site until the first decade of the 6th century, when barbarian invasions swept the early Slavs into the region and demolished it. A replacement rose during the ...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/church-of-saint-sophia-ohrid/">Church of Saint Sophia, Ohrid on Qualla</a></p><p><em>Image: Vericamit | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <title>Church of Saint Sophia, Ohrid: Painted Walls, Hidden and Found</title>
      <link>https://qualla.com/church-of-saint-sophia-ohrid/</link>
      <description><![CDATA[Photo credit Public domain. The frescoes are the reason people come. Painted across the 11th, 12th, and 13th centuries, they cover the interior with scenes of sacred narrative executed in a style that bridges the gap between earlier rigid iconography and the more expressive painting that would emerge later ...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Public domain. The frescoes are the reason people come. Painted across the 11th, 12th, and 13th centuries, they cover the interior with scenes of sacred narrative executed in a style that bridges the gap between earlier rigid iconography and the more expressive painting that would emerge later ...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/church-of-saint-sophia-ohrid/">Church of Saint Sophia, Ohrid on Qualla</a></p><p><em>Image: Public domain</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <title>Church of Saint Sophia, Ohrid: Stone and Power</title>
      <link>https://qualla.com/church-of-saint-sophia-ohrid/</link>
      <description><![CDATA[Photo credit Dennis G. Jarvis, CC BY-SA 2.0. Architecture tells political stories, and Saint Sophia's walls are fluent. The main body of the church dates to the 11th century, built to project the authority of the patriarchate that it housed. The scale is substantial for a Balkan medieval church: high ceilings under a centra...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Dennis G. Jarvis, CC BY-SA 2.0. Architecture tells political stories, and Saint Sophia's walls are fluent. The main body of the church dates to the 11th century, built to project the authority of the patriarchate that it housed. The scale is substantial for a Balkan medieval church: high ceilings under a centra...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/church-of-saint-sophia-ohrid/">Church of Saint Sophia, Ohrid on Qualla</a></p><p><em>Image: Dennis G. Jarvis | CC BY-SA 2.0</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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      <title>Church of Saint Sophia, Ohrid: Between Faiths, Between Eras</title>
      <link>https://qualla.com/church-of-saint-sophia-ohrid/</link>
      <description><![CDATA[Photo credit Brams, Public domain. The conversion from church to mosque and back again is not unusual in the Balkans, where Ottoman rule lasted centuries and the boundary between Christian and Islamic sacred space shifted repeatedly. What makes Saint Sophia remarkable is how much survived the transitions. The stru...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Brams, Public domain. The conversion from church to mosque and back again is not unusual in the Balkans, where Ottoman rule lasted centuries and the boundary between Christian and Islamic sacred space shifted repeatedly. What makes Saint Sophia remarkable is how much survived the transitions. The stru...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/church-of-saint-sophia-ohrid/">Church of Saint Sophia, Ohrid on Qualla</a></p><p><em>Image: Brams | Public domain</em></p>]]></content:encoded>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
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