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    <title>Qualla: Amon Carter Museum of American Art</title>
    <link>https://qualla.com/amon-carter-museum-of-american-art</link>
    <description><![CDATA[A Fort Worth museum born from one man's obsession with Frederic Remington and Charles M. Russell grew into a world-class repository of American art, housed in a Philip Johnson building perched on a hillside overlooking downtown.]]></description>
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    <copyright>© 2026 Bendyline</copyright>
    <lastBuildDate>Mon, 20 Jul 2026 10:21:03 GMT</lastBuildDate>
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    <itunes:summary><![CDATA[A Fort Worth museum born from one man's obsession with Frederic Remington and Charles M. Russell grew into a world-class repository of American art, housed in a Philip Johnson building perched on a hillside overlooking downtown.]]></itunes:summary>
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      <title>Qualla: Amon Carter Museum of American Art</title>
      <link>https://qualla.com/amon-carter-museum-of-american-art</link>
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      <title>Amon Carter Museum of American Art: Introduction</title>
      <link>https://qualla.com/amon-carter-museum-of-american-art/</link>
      <description><![CDATA[Photo credit Joe Mabel, CC BY-SA 3.0. Philip Johnson called it his 'jewel box.' Five arches of creamy Texas shellstone frame a wall of glass that looks east across Fort Worth's skyline -- a building designed not just to hold art but to command a view. Amon G. Carter Sr., the newspaper publisher who conceived this museum, personally chose the hillside site in 1951, four years before his death. He spent the last decade of his life assembling more than 300 works by Frederic Remington and Charles M. Russell, the two artists who defined the visual mythology of the American West. When the museum opened in January 1961, it was a small memorial to one man's passion for cowboys and frontier drama. It did not stay small. Today, the Amon Carter Museum of American Art holds over 350,000 photographic works, masterpieces spanning two centuries of American painting, and one of the finest collections of Hudson River School landscapes anywhere. Admission is free.]]></description>
      <content:encoded><![CDATA[<p>Photo credit Joe Mabel, CC BY-SA 3.0. Philip Johnson called it his 'jewel box.' Five arches of creamy Texas shellstone frame a wall of glass that looks east across Fort Worth's skyline -- a building designed not just to hold art but to command a view. Amon G. Carter Sr., the newspaper publisher who conceived this museum, personally chose the hillside site in 1951, four years before his death. He spent the last decade of his life assembling more than 300 works by Frederic Remington and Charles M. Russell, the two artists who defined the visual mythology of the American West. When the museum opened in January 1961, it was a small memorial to one man's passion for cowboys and frontier drama. It did not stay small. Today, the Amon Carter Museum of American Art holds over 350,000 photographic works, masterpieces spanning two centuries of American painting, and one of the finest collections of Hudson River School landscapes anywhere. Admission is free.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/amon-carter-museum-of-american-art/">Amon Carter Museum of American Art on Qualla</a></p><p><em>Image: Joe Mabel | CC BY-SA 3.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>1</itunes:episode>
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      <title>Amon Carter Museum of American Art: Cowboys in Bronze and Oil</title>
      <link>https://qualla.com/amon-carter-museum-of-american-art/</link>
      <description><![CDATA[Photo credit Sillyputty1967, CC BY-SA 4.0. The heart of the Carter remains where it started: over 400 works by Frederic Remington and Charles M. Russell. Remington worked from a New York studio, producing vivid images of frontier life that shaped eastern audiences' perceptions of the West. Russell lived the part -- a Mont...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Sillyputty1967, CC BY-SA 4.0. The heart of the Carter remains where it started: over 400 works by Frederic Remington and Charles M. Russell. Remington worked from a New York studio, producing vivid images of frontier life that shaped eastern audiences' perceptions of the West. Russell lived the part -- a Mont...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/amon-carter-museum-of-american-art/">Amon Carter Museum of American Art on Qualla</a></p><p><em>Image: Sillyputty1967 | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>2</itunes:episode>
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      <title>Amon Carter Museum of American Art: The American Landscape, Collected</title>
      <link>https://qualla.com/amon-carter-museum-of-american-art/</link>
      <description><![CDATA[Photo credit Winslow Homer, Public domain. What began as a western art museum transformed, almost from the start, into something broader. Director Mitchell Wilder arrived in 1961 and, with the board's support, expanded the collecting scope to embrace the full sweep of American art history. The Hudson River School became a...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Winslow Homer, Public domain. What began as a western art museum transformed, almost from the start, into something broader. Director Mitchell Wilder arrived in 1961 and, with the board's support, expanded the collecting scope to embrace the full sweep of American art history. The Hudson River School became a...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/amon-carter-museum-of-american-art/">Amon Carter Museum of American Art on Qualla</a></p><p><em>Image: Winslow Homer | Public domain</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>3</itunes:episode>
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      <title>Amon Carter Museum of American Art: 350,000 Photographs and Counting</title>
      <link>https://qualla.com/amon-carter-museum-of-american-art/</link>
      <description><![CDATA[Photo credit Amon Carter Museum of American Art, Public domain. The Carter's photography collection is one of the largest and most important in the country: over 350,000 works, including 45,000 exhibition-quality prints spanning every major photographic process from daguerreotypes to digital. The personal archives of photographers Laura Gilpi...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Amon Carter Museum of American Art, Public domain. The Carter's photography collection is one of the largest and most important in the country: over 350,000 works, including 45,000 exhibition-quality prints spanning every major photographic process from daguerreotypes to digital. The personal archives of photographers Laura Gilpi...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/amon-carter-museum-of-american-art/">Amon Carter Museum of American Art on Qualla</a></p><p><em>Image: Amon Carter Museum of American Art | Public domain</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <title>Amon Carter Museum of American Art: Johnson&apos;s Shellstone Temple</title>
      <link>https://qualla.com/amon-carter-museum-of-american-art/</link>
      <description><![CDATA[Photo credit Steven Watson, CC BY-SA 4.0. Philip Johnson maintained a forty-year relationship with the museum, designing the original 1961 building and two major expansions. The first building was a modest 20,000-square-foot structure: five arches facing east, clad in Texas shellstone, sheltering a two-story curtain of g...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Steven Watson, CC BY-SA 4.0. Philip Johnson maintained a forty-year relationship with the museum, designing the original 1961 building and two major expansions. The first building was a modest 20,000-square-foot structure: five arches facing east, clad in Texas shellstone, sheltering a two-story curtain of g...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/amon-carter-museum-of-american-art/">Amon Carter Museum of American Art on Qualla</a></p><p><em>Image: Steven Watson | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>5</itunes:episode>
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      <title>Amon Carter Museum of American Art: A Publisher&apos;s Gift to Fort Worth</title>
      <link>https://qualla.com/amon-carter-museum-of-american-art/</link>
      <description><![CDATA[Photo credit Photo: Andreas Praefcke, Public domain. Amon G. Carter Sr. was Fort Worth's most powerful civic booster -- publisher of the Fort Worth Star-Telegram, a relentless champion of his city's interests, and reportedly so loyal to Fort Worth that he would pack a sack lunch rather than spend a dime in rival Dallas. In 1945, he...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Photo: Andreas Praefcke, Public domain. Amon G. Carter Sr. was Fort Worth's most powerful civic booster -- publisher of the Fort Worth Star-Telegram, a relentless champion of his city's interests, and reportedly so loyal to Fort Worth that he would pack a sack lunch rather than spend a dime in rival Dallas. In 1945, he...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/amon-carter-museum-of-american-art/">Amon Carter Museum of American Art on Qualla</a></p><p><em>Image: Photo: Andreas Praefcke | Public domain</em></p>]]></content:encoded>
      <pubDate>Fri, 06 Feb 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>6</itunes:episode>
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