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    <title>Qualla: Aloalo</title>
    <link>https://qualla.com/aloalo</link>
    <description><![CDATA[The carved funerary posts of the Mahafaly people of southwestern Madagascar, where the word for the sculpture means 'messenger' - a wooden intermediary meant to carry the dead into the community of ancestors.]]></description>
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    <copyright>© 2026 Bendyline</copyright>
    <lastBuildDate>Mon, 20 Jul 2026 10:21:26 GMT</lastBuildDate>
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    <itunes:summary><![CDATA[The carved funerary posts of the Mahafaly people of southwestern Madagascar, where the word for the sculpture means 'messenger' - a wooden intermediary meant to carry the dead into the community of ancestors.]]></itunes:summary>
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      <itunes:name>Qualla</itunes:name>
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      <title>Qualla: Aloalo</title>
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      <title>Aloalo: Introduction</title>
      <link>https://qualla.com/aloalo/</link>
      <description><![CDATA[Photo credit salymfayad, CC BY-SA 2.0. The word itself explains the work. In Malagasy, alo means 'intermediary' or 'messenger,' and the aloalo is exactly that: a carved wooden post raised above a tomb to help the person buried beneath it cross over into the community of ancestors. These are not headstones in any Western sense. Among the Mahafaly people of southwestern Madagascar, death is understood not as an ending but as a passage - a transformation in which the deceased becomes a razana, an ancestor, one of the intermediaries between the living and the divine. The aloalo stands at the threshold of that passage, a sculpture whose purpose is to speak on behalf of someone who can no longer speak for themselves.]]></description>
      <content:encoded><![CDATA[<p>Photo credit salymfayad, CC BY-SA 2.0. The word itself explains the work. In Malagasy, alo means 'intermediary' or 'messenger,' and the aloalo is exactly that: a carved wooden post raised above a tomb to help the person buried beneath it cross over into the community of ancestors. These are not headstones in any Western sense. Among the Mahafaly people of southwestern Madagascar, death is understood not as an ending but as a passage - a transformation in which the deceased becomes a razana, an ancestor, one of the intermediaries between the living and the divine. The aloalo stands at the threshold of that passage, a sculpture whose purpose is to speak on behalf of someone who can no longer speak for themselves.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/aloalo/">Aloalo on Qualla</a></p><p><em>Image: salymfayad | CC BY-SA 2.0</em></p>]]></content:encoded>
      <pubDate>Mon, 22 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>1</itunes:episode>
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      <title>Aloalo: A Life Carved in Wood</title>
      <link>https://qualla.com/aloalo/</link>
      <description><![CDATA[Photo credit AnonymousUnknown author, Public domain. An aloalo tells a story, and the story is a person. Each post takes the form of a tall wooden stele, its lower length worked into stacked geometric forms - crescents, open circles, interlocking shapes - rising toward a crown of figures at the top. Those upper carvings are the bio...]]></description>
      <content:encoded><![CDATA[<p>Photo credit AnonymousUnknown author, Public domain. An aloalo tells a story, and the story is a person. Each post takes the form of a tall wooden stele, its lower length worked into stacked geometric forms - crescents, open circles, interlocking shapes - rising toward a crown of figures at the top. Those upper carvings are the bio...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/aloalo/">Aloalo on Qualla</a></p><p><em>Image: AnonymousUnknown author | Public domain</em></p>]]></content:encoded>
      <pubDate>Mon, 22 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>2</itunes:episode>
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      <title>Aloalo: The Weight of the Zebu</title>
      <link>https://qualla.com/aloalo/</link>
      <description><![CDATA[Photo credit Marie-Lan Nguyen, Public domain. Nothing on an aloalo carries more meaning than the zebu. In Mahafaly life, these cattle are far more than livestock - they are prosperity made flesh, the measure of a family's standing and the currency of its most important obligations. At the funeral of a person of stature, zebu...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Marie-Lan Nguyen, Public domain. Nothing on an aloalo carries more meaning than the zebu. In Mahafaly life, these cattle are far more than livestock - they are prosperity made flesh, the measure of a family's standing and the currency of its most important obligations. At the funeral of a person of stature, zebu...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/aloalo/">Aloalo on Qualla</a></p><p><em>Image: Marie-Lan Nguyen | Public domain</em></p>]]></content:encoded>
      <pubDate>Mon, 22 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>3</itunes:episode>
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      <title>Aloalo: Who the Posts Were For</title>
      <link>https://qualla.com/aloalo/</link>
      <description><![CDATA[Photo credit Sailko, CC BY 3.0. The aloalo was not, at first, for everyone. In earlier times these monuments were the prerogative of kings and queens, emblems of nobility reserved for those born to rank. Over generations the tradition opened: the wealthy could commission them, and eventually anyone able to hono...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Sailko, CC BY 3.0. The aloalo was not, at first, for everyone. In earlier times these monuments were the prerogative of kings and queens, emblems of nobility reserved for those born to rank. Over generations the tradition opened: the wealthy could commission them, and eventually anyone able to hono...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/aloalo/">Aloalo on Qualla</a></p><p><em>Image: Sailko | CC BY 3.0</em></p>]]></content:encoded>
      <pubDate>Mon, 22 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>4</itunes:episode>
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      <title>Aloalo: From the Tomb to the World</title>
      <link>https://qualla.com/aloalo/</link>
      <description><![CDATA[Photo credit Unknown author, CC BY 3.0. These were sacred objects, raised in places set deliberately apart. Traditionally, burial grounds and their aloalo stood outside the villages of the living, in landscapes reserved for the dead and the ancestors they were becoming. That separation was the point - a boundary betwee...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Unknown author, CC BY 3.0. These were sacred objects, raised in places set deliberately apart. Traditionally, burial grounds and their aloalo stood outside the villages of the living, in landscapes reserved for the dead and the ancestors they were becoming. That separation was the point - a boundary betwee...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/aloalo/">Aloalo on Qualla</a></p><p><em>Image: Unknown author | CC BY 3.0</em></p>]]></content:encoded>
      <pubDate>Mon, 22 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>5</itunes:episode>
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